!-- row --> VIDEO: filmpoems, screendance, ambient video - Robin Parmar

"The installation encouraged a curious ear, and exploratory listening. It encouraged movement, but also invited remaining still in one place, listening in a meditative fashion. The site was used beautifully and sensitively."
— Hildegard Westerkamp, on In that place, the air was very different>

My name is Robin Parmar. I am a media artist working in sound, video, and text. I'm also an avid researcher and teacher.

Scroll down for my portfolio or use the previous links to target categories.

NEWS

Everything was singing

“Everything was singing” is a video installation that repurposes the footage of Red Desert (dir. Michelangelo Antonioni, 1964) to demonstrate an ecological theme. The protagonist resists every attempt at erasure by making herself an integral part of the places she inhabits.

November 2023

Emergence

“Emergence” was created for the recording artist Mai, and was used as the lead promotion for the album Polis. Created in Processing, the overlapping patterns were inspired by the work of Larry Cuba.

February 2021

Karst

This video was created for the recording artist Mai, and was used as the lead promotion for the album Gaia. Filmed in The Burren, the video highlights the karst formations through digital transformations that reveal their inner fractal structure.

December 2020

Handwringer

Made in isolation for this moment in time. Bitcrush audio effects + hex edit video files. Released under the name 7PRS.

March 2020

Emergence System

Ed Devane builds his own audio devices, from string instruments, to pickups, to custom-made amps. With unlikely suitcase of circuits he creates banging techno beats that sometimes collapse into chaos. Robin Parmar provides visuals using a live camera feeding Wolfscope, custom software based on analogue processes such as video feedback.

November 2019

Division by Zero {phalange}

Division by Zero is an ambient music project which has an integral video element. The section “{phalange}” was included by Kim Cascone in The Drone Cinema Film Festival, screened in Seattle, USA, and Leiden, Netherlands.

January 2019

The Swerve

The invisible, the inaudible, the untouchable. That dance at the heart of nature we can never witness. This film premiered 10 November 2018 at Light Moves: Festival of Screendance in Limerick, Ireland.

November 2018

Boundary Conditions

“Boundary Conditions” is a screendance created with Angie Smalis. Designed as an experiment in framing and depth of field, it explores how a body might negotiate these optical constraints. A specially constructed rig allows two cameras to shoot at different focal planes simultaneously.

November 2014

Afterimage

This film explores disjunctions between our visual and aural apprehension of our environment. What does it mean to be in a place? How can we encounter nature through a lens?

July 2014

Methods of Hypnosis

A woman is wrapped in a blanket by four strangers. Couples with broken arms partner on a dance floor. An unconscious young man is disengaged from a steering wheel. “Methods of Hypnosis” reveals strange choreographies hidden in public domain footage.

July 2014

Abîme

This filmpoem is a response to the environs of Škocjan, Slovenia. It was read in a pitch black cemetery after midnight, by the light of my phone.

September 2013

Flame and Being

This filmpoem was created with footage spontaneously shot and assembled into a montage. It documents phantasmagoric impressions of my neighbourhood, the parish of St. Mary’s in Limerick.

July 2013

Certain Small Observations

We live in a sea of invisible traceries – some cultural, some biotic, some technological – that bind us one to the other, creating a social milieu. Like deep-sea fish we are blind to the electromagnetic fields in which we all swim. As we are similarly unaware of our bodies’ roles as conduits and amplifiers for these ubiquitous forces.

October 2011